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Florence – Darren Hayman

6th November 2015

12” vinyl LP / digital – Fika Recordings

Darren Hayman returns with a beautifully delicate and touchingly honest album simply titled Florence after the city in which it was created. This is his very first purely solo album, featuring no other musicians. It was written and recorded between Christmas and New Year at the end of 2014 in the Firenze flat belonging to Elizabeth Morris (Allo Darlin’) and Ola Innset (Making Marks). Continuing his habit of making incisive, observational and beautiful albums, with Florence Hayman has taken a back-to-basics approach, eschewing his recent collaborative, conceptual approaches for a humble and modest solo effort, entirely recorded and performed in the Italian apparetemento of his hosts.

est known as the singer-songwriter of the phenomenally successful and much-loved Hefner, Darren Hayman is now 15 years, and over 14 albums, into an increasingly idiosyncratic career path, where he has taken a singular and erratic route through England’s tired and heartbroken underbelly. Darren is also writing the best tunes of his career; increasingly complex and mature songs, he is a thoughtful, concise and detailed songwriter.

Hayman’s first two solo albums, Table For One (2006) and The Secondary Modern (2007), charmed the critics – with The Guardian opining that Hayman’s profoundly English songwriting was “the match of Ray Davies”. Mostly joined by his band The Secondary Modern – a loose, urban folk collective, underpinning Hayman’s concrete sorrow with rural violins and tired pianos – he has released a series of albums,

largely focused on place. This allowed for the exploration of nuanced subjects in detail, with a trio of albums based in Essex (2009’s Pram Town and 2010’s Essex Arms) and culminating in 2012’s The Violence, a 20-song account of the 17th century Essex witch trials. From this he developed an album of English Civil War folk songs of the time (2013’s Bugbears) and stayed with the historical theme for this year’s Chants For Socialists, which saw him set William Morris’ words to music, creating an album of kindness and hope that brought Hayman’s most critical acclaim yet.

Florence is sparse and poignant. Tinged with melancholy and etched with heartache, revealing the very best of Hayman’s considerable songwriting verve, this collection of songs shows what you can achieve whilst on holiday at a friend’s house, taking refuge in the winter quiet during the festive season.

PRE-ORDER FLORENCE FROM DARREN NOW. (Records sent out before or around 2nd Nov, get them early!)


DOWNLOAD DIGITAL VERSION FROM BANDCAMP FOR JUST £7

 

Nutlets 1967 – 80 by Papernut Cambridge

‘As I’ve said previously on here, the most fun I have onstage and in the studio at the moment is with Papernut Cambridge. On this record I’m playing keyboards, bass, percussion and saxophone. Songwriter and head ‘nut’ has gone back to his childhood and recorded the pop classics that shaped his Papernut masterplan.’

Vinyl and CD set:

Transparent orange 140g vinyl LP in a white/orange/silver sleeve + CD version in a white/orange/silver wallet. Mixes/edits on the CD are slightly different from the vinyl versions. This set does not include a download of the album. Price includes postage and packing.

Tracklist:

‘Broken Hearted Blues’ ‘(T.Rex)
‘I Believe In Love’ (Hot Chocolate)
‘What Ruthy Said’ (Cockney Rebel)
‘Jesamine’ (The Bystanders/The Casuals)
‘Sugar Me’ (Lynsey De Paul)
‘I’ve Been A Bad Bad Boy’ (Paul Jones)
‘Jealous Mind’ (Alvin Stardust)
‘Love Grows (Where My Rosemary Goes)’ (Edison Lighthouse)
‘White Horses’ (Jacky)
‘Rockers Delight’ (Mikey Dread)

Nutlets 1967 – 80 by Papernut Cambridge from Darren (inc P+P)


Digital version here.

Folk Lullabies for Children and the Childless – Limited Cassette Release

14 Lullabies from around the world, released on a beautiful limited cream cassette complete with download code.

All prices include Postage and Packing.

Buy the cassette with download.


 

 

 

 

 

 

 

 

 

Or buy just the download for £7.

brute love 03 by brute love

we can just see the sun though the fog on a good day. spaceship mark says that when the land is fertile then the woman shall be soon.

these are brighter sounds for tomorrow. your animals will rest when they hear them.

we have not heard the voice from the dome for two moons.

we dare to dream of future.

ep costs just 99p.

Full Chants for Socialists Show

For the first and very possibly last time Darren will perform the entire Chants for Socialists album with the choir and band at the beautiful St Pancras Old Church. 

Please come to this very special musical political event.

Tickets can be bought  here

brute love 02 by brute love

darren and emma seek sunlight. they hate rules. they make rules. they need money to nurse their baby rats. nothing will be good again. it can never be like before. but sister lives. where is spaceship mark.

brute love 01 by brute love

brute love 01 is an 3 track download ep by brute love

brute love are darren hayman and emma winston and the music is completely improvised, analogue and synthetic.

two analogue synthesizers are cross patched together via control voltage technology so that one player constantly disrupts the other players intentions.

the music was recorded live, with no prior writing or arrangement and with no subsequent editing or fixing.
credits
released 27 February 2015

darren – minibrute, emma – microbrute

the ep costs 99p.

The Great Electric – EP1

Artist: The Great Electric
Title: EP1
Cat No. : Van 276
Release date: October 27th

The Great Electric was formed in the winter of 2012 by Malcolm Doherty (Guitars, FX), Rob Hyde (Drums), Darren Hayman (Synth), Duncan Hemphill (Tones, Drones and FX) and Pete Gofton (Bass/Production).

Alumni of bands as diverse as Hefner, Kenickie, GoKart Mozart & Mum and Dad, the band was united by a love of the classic German electronic and progressive acts of the 1970s coupled with the pop music sensibilities, hooks and production of 90s bands such as Stereolab, Quickspace and Electric Sound of Joy.

EP1, self-recorded and released on Static Caravan is the Great Electric’s first release and showcases the band’s love of combining a hypnotic heaviness with accessibility – thickly layering melody onto bedrock of driving bass and drums, often lending the songs an almost pop patina.

Opener ‘Matter of Time’ sets off at a breakneck motorik pace, introducing layered analogue melodies and a metronomic bassline before giving way to a chorus that sits somewhere in the middle ground between Focus and Fantomas. The track fades into a fug of Gilmour-inspired guitars, analogue electronics and found sounds.

Jump Over The House is a triumphant, energised hybrid of 60’s Detroit soul and a locked, motorik pulse, overlaid with a subtle vocodered line straight out of millennium-era Trans Am. If you booked The Great Electric for your birthday party, they’d open with this song.

The EP’s lead track, Music and Colour establishes a rigid bass motif from the off and builds into the embodiment of perfect space age pop – constructed from layer upon layer of repetition, hypnotic drones and heavy washes of analogue melodies and counter-melodies.

The EP closes with M.O.P.E.. Building over 9 minutes, the track is a dichotomy of ‘Animals’-era Pink Floyd atmospherics and Sir Lord Baltimore barbarian rock. The song gathers pace before the wheels come off entirely and it rattles into Blue Cheer covering Yes’ ‘Heart of the Sunrise’.

2014 will see the band finish a debut LP ahead of organising a small number of live dates later in the year.

300 edition 12” vinyl Red Vinyl pressing

Buy The Great Electric – EP1 from Darren (inc P+P)