Tag: discography

Darren’s Digital Catalogue Cleanup (Missing Albums / Never-Ending Singles Club / YouTube + More)

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If you’ve been following on the socials or catching Darren Hayman’s interviews with The J-Card Podcast, Atwood Magazine, God Is In the TV and Merry-Go-Round Magazine, you might have noticed that Darren’s digital world has been a getting a good tidy-up lately.

We now have a fancy Linktree that will take you to just about anything you could hope to find about Darren’s music, art, social media, merch, etc.  What does a “digital tidy-up” mean, though?

After countless releases with numerous lineups on various record labels, bits of back catalogue had fallen off the digital services, gotten buried in a Metadata mix-up, or, in some cases, had never been uploaded to begin with. We’ve been working to sort that out and get things back where they should be.

Now, you can find previously missing or newly added titles like The Best of Hefner, The Ship’s Piano, Essex Arms, The Doll’s House Room, as well as newly expanded editions of The Violence and Hayman, Watkins, Trout And Lee, which were released with the Audio Antihero label. Additionally, we’ve started putting up some titles in their original forms, before we added second discs and bonuses, giving you a more classic experience of the Hefner albums and EPs, as well as other titles.

To dig back into the back catalogue and see what you might be missing, you can visit your digital service of choice, or check any of these handy playlists.

The Darren Hayman / Hefner YouTube channel is updating weekly with music videos, performances, art videos, and more!

Supporters of Darren’s Patreon can more easily find the type of media they’re looking for now that the monthly songs, album commentaries, “How I Wrote…” videos, BTS, etc, all have their own dedicated collection.

If you’re new to Patreon, there’s even a collection of free content to get you started, which includes things like exclusive songs, art tutorial, “How I Wrote:  The Day That Thatcher Dies,” and an album commentary for ‘Essex Arms.’ 

Hayman, Watkins, Trout And Lee (Bonus Tracks) by Hayman, Watkins, Trout And Lee” target=”_blank”>Bandcamp has been reorganised so it should be easier to find albums, EPs, singles and compilations from Hefner, The French, New Starts, Darren Hayman & The Secondary Modern, Darren Hayman & The Wave Pictures, and Hayman, Watkins, Trout And Lee (Bonus Tracks) by Hayman, Watkins, Trout And Lee” target=”_blank”>lots more.

  • ThankfulVillages.co.uk Back Online:

Darren’s Thankful Villages project is now back online and archived at https://thankful-villages.co.uk

  • What’s next?

A lot! So, be sure to follow Darren wherever you roam on social media and wherever you like to listen to music – https://linktr.ee/darrenhaymancatalogue

Essex Arms SALE PRICE

Posted on by darren

FPOP95 Format: CD / Vinyl / Download Released: 04 October 2010

The new album from ex-Hefner man Darren Hayman and his band of folk-rock renegades is their finest work to date

Essex Arms is the third album by Darren Hayman And The Secondary Modern. Darren, of course, is best known as the singer-songwriter of the phenomenally successful and much-loved Hefner, although it’s worth noting that he has now made six albums to Hefner’s four. In the latest incarnation of the constantly morphing Secondary Modern he has gathered together a set of musicians with the chops to do justice to his increasingly complex and mature songs; a tight, tough, but soulful folk-rock orchestra reminiscent of a more urban Incredible String Band or an Anglicized Lambchop.

The second in a proposed trilogy of albums about Hayman’s home county of Essex, Essex Arms is a conceptual piece about the East Anglian rural underbelly. Whereas Pram Town (2009) dealt with the displacement and ennui of living in a new town (Harlow) – and received the best reviews of Hayman’s post-Hefner career – Essex Arms takes the narrative to the countryside.

Buy Essex Arms on CD


Buy Essex Arms on vinyl (with download code)


 

Or buy the download from Bandcamp for £7

Florence – Darren Hayman

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6th November 2015

12” vinyl LP / digital – Fika Recordings

Darren Hayman returns with a beautifully delicate and touchingly honest album simply titled Florence after the city in which it was created. This is his very first purely solo album, featuring no other musicians. It was written and recorded between Christmas and New Year at the end of 2014 in the Firenze flat belonging to Elizabeth Morris (Allo Darlin’) and Ola Innset (Making Marks). Continuing his habit of making incisive, observational and beautiful albums, with Florence Hayman has taken a back-to-basics approach, eschewing his recent collaborative, conceptual approaches for a humble and modest solo effort, entirely recorded and performed in the Italian apparetemento of his hosts.

est known as the singer-songwriter of the phenomenally successful and much-loved Hefner, Darren Hayman is now 15 years, and over 14 albums, into an increasingly idiosyncratic career path, where he has taken a singular and erratic route through England’s tired and heartbroken underbelly. Darren is also writing the best tunes of his career; increasingly complex and mature songs, he is a thoughtful, concise and detailed songwriter.

Hayman’s first two solo albums, Table For One (2006) and The Secondary Modern (2007), charmed the critics – with The Guardian opining that Hayman’s profoundly English songwriting was “the match of Ray Davies”. Mostly joined by his band The Secondary Modern – a loose, urban folk collective, underpinning Hayman’s concrete sorrow with rural violins and tired pianos – he has released a series of albums,

largely focused on place. This allowed for the exploration of nuanced subjects in detail, with a trio of albums based in Essex (2009’s Pram Town and 2010’s Essex Arms) and culminating in 2012’s The Violence, a 20-song account of the 17th century Essex witch trials. From this he developed an album of English Civil War folk songs of the time (2013’s Bugbears) and stayed with the historical theme for this year’s Chants For Socialists, which saw him set William Morris’ words to music, creating an album of kindness and hope that brought Hayman’s most critical acclaim yet.

Florence is sparse and poignant. Tinged with melancholy and etched with heartache, revealing the very best of Hayman’s considerable songwriting verve, this collection of songs shows what you can achieve whilst on holiday at a friend’s house, taking refuge in the winter quiet during the festive season.


DOWNLOAD DIGITAL VERSION FROM BANDCAMP FOR JUST £7

 

(rediscovered stock) The Bands That Don’t Reform – Darren and Antony

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A split single from the two ex-Hefner members.

 
 

BUY THE SEVEN INCH HERE…


Or buy the downloads from Bandcamp

Buy the downloads for just a couple of quid here…

Nutlets 1967 – 80 by Papernut Cambridge

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‘As I’ve said previously on here, the most fun I have onstage and in the studio at the moment is with Papernut Cambridge. On this record I’m playing keyboards, bass, percussion and saxophone. Songwriter and head ‘nut’ has gone back to his childhood and recorded the pop classics that shaped his Papernut masterplan.’

Vinyl and CD set:

Transparent orange 140g vinyl LP in a white/orange/silver sleeve + CD version in a white/orange/silver wallet. Mixes/edits on the CD are slightly different from the vinyl versions. This set does not include a download of the album. Price includes postage and packing.

Tracklist:

‘Broken Hearted Blues’ ‘(T.Rex)
‘I Believe In Love’ (Hot Chocolate)
‘What Ruthy Said’ (Cockney Rebel)
‘Jesamine’ (The Bystanders/The Casuals)
‘Sugar Me’ (Lynsey De Paul)
‘I’ve Been A Bad Bad Boy’ (Paul Jones)
‘Jealous Mind’ (Alvin Stardust)
‘Love Grows (Where My Rosemary Goes)’ (Edison Lighthouse)
‘White Horses’ (Jacky)
‘Rockers Delight’ (Mikey Dread)

Nutlets 1967 – 80 by Papernut Cambridge from Darren (inc P+P)


Digital version here.

Folk Lullabies for Children and the Childless – Limited Cassette Release

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14 Lullabies from around the world, released on a beautiful limited cream cassette complete with download code.

All prices include Postage and Packing.

Buy the cassette with download.


 

 

 

 

 

 

 

 

 

Or buy just the download for £7.

brute love 03 by brute love

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we can just see the sun though the fog on a good day. spaceship mark says that when the land is fertile then the woman shall be soon.

these are brighter sounds for tomorrow. your animals will rest when they hear them.

we have not heard the voice from the dome for two moons.

we dare to dream of future.

ep costs just 99p.

brute love 02 by brute love

Posted on by darren

darren and emma seek sunlight. they hate rules. they make rules. they need money to nurse their baby rats. nothing will be good again. it can never be like before. but sister lives. where is spaceship mark.

brute love 01 by brute love

Posted on by darren

brute love 01 is an 3 track download ep by brute love

brute love are darren hayman and emma winston and the music is completely improvised, analogue and synthetic.

two analogue synthesizers are cross patched together via control voltage technology so that one player constantly disrupts the other players intentions.

the music was recorded live, with no prior writing or arrangement and with no subsequent editing or fixing.
credits
released 27 February 2015

darren – minibrute, emma – microbrute

the ep costs 99p.

The Great Electric – EP1

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Artist: The Great Electric
Title: EP1
Cat No. : Van 276
Release date: October 27th

The Great Electric was formed in the winter of 2012 by Malcolm Doherty (Guitars, FX), Rob Hyde (Drums), Darren Hayman (Synth), Duncan Hemphill (Tones, Drones and FX) and Pete Gofton (Bass/Production).

Alumni of bands as diverse as Hefner, Kenickie, GoKart Mozart & Mum and Dad, the band was united by a love of the classic German electronic and progressive acts of the 1970s coupled with the pop music sensibilities, hooks and production of 90s bands such as Stereolab, Quickspace and Electric Sound of Joy.

EP1, self-recorded and released on Static Caravan is the Great Electric’s first release and showcases the band’s love of combining a hypnotic heaviness with accessibility – thickly layering melody onto bedrock of driving bass and drums, often lending the songs an almost pop patina.

Opener ‘Matter of Time’ sets off at a breakneck motorik pace, introducing layered analogue melodies and a metronomic bassline before giving way to a chorus that sits somewhere in the middle ground between Focus and Fantomas. The track fades into a fug of Gilmour-inspired guitars, analogue electronics and found sounds.

Jump Over The House is a triumphant, energised hybrid of 60’s Detroit soul and a locked, motorik pulse, overlaid with a subtle vocodered line straight out of millennium-era Trans Am. If you booked The Great Electric for your birthday party, they’d open with this song.

The EP’s lead track, Music and Colour establishes a rigid bass motif from the off and builds into the embodiment of perfect space age pop – constructed from layer upon layer of repetition, hypnotic drones and heavy washes of analogue melodies and counter-melodies.

The EP closes with M.O.P.E.. Building over 9 minutes, the track is a dichotomy of ‘Animals’-era Pink Floyd atmospherics and Sir Lord Baltimore barbarian rock. The song gathers pace before the wheels come off entirely and it rattles into Blue Cheer covering Yes’ ‘Heart of the Sunrise’.

2014 will see the band finish a debut LP ahead of organising a small number of live dates later in the year.

300 edition 12” vinyl Red Vinyl pressing

Buy The Great Electric – EP1 from Darren (inc P+P)